Out of the depths I call You, O LORD.
חֲסִידִים וְאַנְשֵׁי מַעֲשֶׂה הָיוּ מְרַקְּדִים לִפְנֵיהֶם בַּאֲבוּקוֹת שֶׁל אוֹר שֶׁבִּידֵיהֶן, וְאוֹמְרִים לִפְנֵיהֶן דִּבְרֵי שִׁירוֹת וְתִשְׁבָּחוֹת. וְהַלְוִיִּם בְּכִנּוֹרוֹת וּבִנְבָלִים וּבִמְצִלְתַּיִם וּבַחֲצוֹצְרוֹת וּבִכְלֵי שִׁיר בְּלֹא מִסְפָּר, עַל חֲמֵשׁ עֶשְׂרֵה מַעֲלוֹת הַיּוֹרְדוֹת מֵעֶזְרַת יִשְׂרָאֵל לְעֶזְרַת נָשִׁים, כְּנֶגֶד חֲמִשָּׁה עָשָׂר שִׁיר הַמַּעֲלוֹת שֶׁבַּתְּהִלִּים, שֶׁעֲלֵיהֶן לְוִיִּים עוֹמְדִין בִּכְלֵי שִׁיר וְאוֹמְרִים שִׁירָה.... הִגִּיעוּ לַשַּׁעַר הַיּוֹצֵא מִמִּזְרָח, הָפְכוּ פְנֵיהֶן לַמַּעֲרָב, וְאָמְרוּ, אֲבוֹתֵינוּ שֶׁהָיוּ בַמָּקוֹם הַזֶּה אֲחוֹרֵיהֶם אֶל הֵיכַל ה' וּפְנֵיהֶם קֵדְמָה, וְהֵמָּה מִשְׁתַּחֲוִים קֵדְמָה לַשָּׁמֶשׁ, וְאָנוּ לְיָהּ עֵינֵינוּ. רַבִּי יְהוּדָה אוֹמֵר, הָיוּ שׁוֹנִין וְאוֹמְרִין, אָנוּ לְיָהּ, וּלְיָהּ עֵינֵינוּ:
The pious and the men of action would dance before the people who attended the celebration, with flaming torches that they would juggle in their hands, and they would say before them passages of song and praise to God. And the Levites would play on lyres, harps, cymbals, and trumpets, and countless other musical instruments. The musicians would stand on the fifteen stairs that descend from the Israelites’ courtyard to the Women’s Courtyard, corresponding to the fifteen Songs of the Ascents in Psalms, i.e., chapters 120–134, and upon which the Levites stand with musical instruments and recite their song... When they reached the gate through which one exits to the east, they turned from facing east to facing west, toward the Holy of Holies, and said: Our ancestors who were in this place during the First Temple period who did not conduct themselves appropriately, stood “with their backs toward the Sanctuary of the Lord, and their faces toward the east; and they worshipped the sun toward the east” (Ezekiel 8:16), and we, our eyes are to God. Rabbi Yehuda says that they would repeat and say: We are to God, and our eyes are to God.
חד תני שואבה. בירושלמי מפרש שמשם שואבים רוח הקודש שהשכינה שורה מתוך שמחה דכתיב ויהי כנגן המנגן ותהי עליו רוח ה' ומייתי עובדא דיונה בן אמיתי שהיה מעולי רגלים ובשמחת בית השואבה שרתה עליו שכינה:
תַּנְיָא: אָמְרוּ עָלָיו עַל רַבָּן שִׁמְעוֹן בֶּן גַּמְלִיאֵל, כְּשֶׁהָיָה שָׂמֵחַ שִׂמְחַת בֵּית הַשּׁוֹאֵבָה, הָיָה נוֹטֵל שְׁמֹנֶה אֲבוּקוֹת שֶׁל אוֹר, וְזוֹרֵק אַחַת וְנוֹטֵל אַחַת וְאֵין נוֹגְעוֹת זוֹ בָּזוֹ.
§ It is taught in a baraita: They said about Rabban Shimon ben Gamliel that when he would rejoice at the Celebration of the Place of the Drawing of the Water, he would take eight flaming torches and toss one and catch another, juggling them, and, though all were in the air at the same time, they would not touch each other.
the torrent would have swept over us;
He makes lightning for the rain;
He releases the wind from His vaults.
(א) לַמְנַצֵּ֥חַ לִבְנֵי־קֹ֑רַח עַֽל־עֲלָמ֥וֹת שִֽׁיר׃ (ב) אֱלֹהִ֣ים לָ֭נוּ מַחֲסֶ֣ה וָעֹ֑ז עֶזְרָ֥ה בְ֝צָר֗וֹת נִמְצָ֥א מְאֹֽד׃ (ג) עַל־כֵּ֣ן לֹֽא־נִ֭ירָא בְּהָמִ֣יר אָ֑רֶץ וּבְמ֥וֹט הָ֝רִ֗ים בְּלֵ֣ב יַמִּֽים׃ (ד) יֶהֱמ֣וּ יֶחְמְר֣וּ מֵימָ֑יו יִ֥רְעֲשֽׁוּ הָרִ֖ים בְּגַאֲוָת֣וֹ סֶֽלָה׃ (ה) נָהָ֗ר פְּלָגָ֗יו יְשַׂמְּח֥וּ עִיר־אֱלֹהִ֑ים קְ֝דֹ֗שׁ מִשְׁכְּנֵ֥י עֶלְיֽוֹן׃
1 God is our [b]hope and strength, and help in [c]troubles, ready to be found.
2 Therefore will not we [d]fear, though the earth be moved, and though the mountains fall into the midst of the sea,
3 Though the waters thereof [e]rage and be troubled, and the mountains shake at the surges of the same. Selah.
4 Yet there is a [f]River, whose stream shall make glad the City of God: even the Sanctuary of the Tabernacles of the most High.
5 God is in the midst of it: therefore shall it not be moved: God shall help it [g]very early.
in heaven and earth,
in the seas and all the depths.
A song of ascents which the Levites will recite on the fifteen steps that go down from the Israelites’ court to the Women’s court, and there are fifteen psalms entitled “A song of ascents” (Suc. 5:4, Mid 2:5). And our Rabbis said that David composed them to raise the deep, as is explained in Tractate Succah (53a). And according to the Aggadah (Yerushalmi Sanh. 10:2, 52b), it is to be interpreted: A song for a hundred steps (שיר למאה עולות).
כָּתֵב שֵׁם אַחַסְפָּא וְשָׁדֵי לִתְהוֹמָא, וּנְחֵית תְּהוֹמָא שִׁיתְּסַר אַלְפֵי גַּרְמִידֵי. כִּי חָזֵי דְּנָחֵית טוּבָא, אֲמַר: כַּמָּה דְּמִידְּלֵי — טְפֵי מִירְטַב עָלְמָא. אֲמַר חֲמֵשׁ עֶשְׂרֵה מַעֲלוֹת, וְאַסְּקֵיהּ חֲמֵיסַר אַלְפֵי גַּרְמִידֵי, וְאוֹקְמֵיהּ בְּאַלְפָּא גַּרְמִידֵי.
He wrote the sacred name on an earthenware shard and cast it into the depths, and the waters in the depths subsided sixteen thousand cubits. When he saw that they subsided excessively, he said: The higher the waters in the aquifers, the moister and more fertile the soil of the world. He recited the fifteen Songs of the Ascents and elevated them fifteen thousand cubits, and established them at a depth of one thousand cubits.
הָנִיחָא לְמַאן דְּאָמַר עַנְנֵי כָבוֹד הָיוּ. אֶלָּא לְמַאן דְּאָמַר סוּכּוֹת מַמָּשׁ עָשׂוּ לָהֶם, מַאי אִיכָּא לְמֵימַר? דְּתַנְיָא: ״כִּי בַסּוּכּוֹת הוֹשַׁבְתִּי אֶת בְּנֵי יִשְׂרָאֵל״, עַנְנֵי כָבוֹד הָיוּ, דִּבְרֵי רַבִּי אֱלִיעֶזֶר. רַבִּי עֲקִיבָא אוֹמֵר: סוּכּוֹת מַמָּשׁ עָשׂוּ לָהֶם.