Save "Cherubim: The Love Logo"
Cherubim: The Love Logo
(ז) וַיַּ֛עַשׂ שְׁנֵ֥י כְרֻבִ֖ים זָהָ֑ב מִקְשָׁה֙ עָשָׂ֣ה אֹתָ֔ם מִשְּׁנֵ֖י קְצ֥וֹת הַכַּפֹּֽרֶת׃ (ח) כְּרוּב־אֶחָ֤ד מִקָּצָה֙ מִזֶּ֔ה וּכְרוּב־אֶחָ֥ד מִקָּצָ֖ה מִזֶּ֑ה מִן־הַכַּפֹּ֛רֶת עָשָׂ֥ה אֶת־הַכְּרֻבִ֖ים מִשְּׁנֵ֥י (קצוותו) [קְצוֹתָֽיו]׃ (ט) וַיִּהְי֣וּ הַכְּרֻבִים֩ פֹּרְשֵׂ֨י כְנָפַ֜יִם לְמַ֗עְלָה סֹֽכְכִ֤ים בְּכַנְפֵיהֶם֙ עַל־הַכַּפֹּ֔רֶת וּפְנֵיהֶ֖ם אִ֣ישׁ אֶל־אָחִ֑יו אֶ֨ל־הַכַּפֹּ֔רֶת הָי֖וּ פְּנֵ֥י הַכְּרֻבִֽים׃ {פ}
(7) He made two cherubim of gold; he made them of hammered work, at the two ends of the cover: (8) one cherub at one end and the other cherub at the other end; he made the cherubim of one piece with the cover, at its two ends. (9) The cherubim had their wings spread out above, shielding the cover with their wings. They faced each other; the faces of the cherubim were turned toward the cover.
וַיַּעֲשׂ֨וּ כׇל־חֲכַם־לֵ֜ב בְּעֹשֵׂ֧י הַמְּלָאכָ֛ה אֶת־הַמִּשְׁכָּ֖ן עֶ֣שֶׂר יְרִיעֹ֑ת שֵׁ֣שׁ מׇשְׁזָ֗ר וּתְכֵ֤לֶת וְאַרְגָּמָן֙ וְתוֹלַ֣עַת שָׁנִ֔י כְּרֻבִ֛ים מַעֲשֵׂ֥ה חֹשֵׁ֖ב עָשָׂ֥ה אֹתָֽם׃
Then all the skilled among those engaged in the work made the tabernacle of ten strips of cloth, which they made of fine twisted linen, blue, purple, and crimson yarns; into these they worked a design of cherubim.
וַיַּ֙עַשׂ֙ אֶת־הַפָּרֹ֔כֶת תְּכֵ֧לֶת וְאַרְגָּמָ֛ן וְתוֹלַ֥עַת שָׁנִ֖י וְשֵׁ֣שׁ מׇשְׁזָ֑ר מַעֲשֵׂ֥ה חֹשֵׁ֛ב עָשָׂ֥ה אֹתָ֖הּ כְּרֻבִֽים׃

They made the curtain of blue, purple, and crimson yarns, and fine twisted linen, working into it a design of cherubim.

כרבים. דְּמוּת פַּרְצוּף תִּינוֹק לָהֶם:
כרבים CHERUBIM — They had the form of a child’s face (Sukkah 5a).
אָמַר רַב קַטִּינָא: בְּשָׁעָה שֶׁהָיוּ יִשְׂרָאֵל עוֹלִין לָרֶגֶל, מְגַלְּלִין לָהֶם אֶת הַפָּרוֹכֶת, וּמַרְאִין לָהֶם אֶת הַכְּרוּבִים שֶׁהָיוּ מְעוֹרִים זֶה בָּזֶה, וְאוֹמְרִים לָהֶן: רָאוּ חִבַּתְכֶם לִפְנֵי הַמָּקוֹם כְּחִבַּת זָכָר וּנְקֵבָה.
Continuing the previous discussion, Rav Ketina said: When the Jewish people would ascend for one of the pilgrimage Festivals, the priests would roll up the curtain for them and show them the cherubs, which were clinging to one another, and say to them: See how you are beloved before God, like the love of a male and female. The two cherubs symbolize the Holy One, Blessed be He, and the Jewish people.

שנים כרבים דוגמא מין של עוף כדכתיב ביחזקאל את כרוב ממשח הסוכך, פירש עוף גדול בעל כנפים, ואעפ״‎י שאמר לא תעשה לך פסל וכל תמונה כאן התיר צורת הכרובים שהרי לא נעשו להשתחות אלא לישיבתו דוגמא כרובים דכסא הכבוד,...

שנים כרובים, “two cherubs.” Compare Ezekiel28,14, את כרוב ממשח הסוכך, “like a cherub with outstretched wings;” they are a certain type of bird. Seeing that birds are both clean animals and move in a clean atmosphere most of the time; even though the Torahin the second of the Ten Commandments had expressly forbidden us to make anything that is like creatures on earth or in the sky, the reason why the making of the cherubs is exempt from this was that it was not made to be worshipped, but to remain hidden inside the most inaccessible part of the Temple. We have a parallel of this in Isaiah 6,12 where the prophet described having had a vision of the Lord seated on His throne surrounded by such creatures each having six wings...

ועשית שנים כרובים זהב. ע"ד הפשט הכרובים במקדש ובמשכן מופת ועדות למציאות מלאכים שכשם שנצטוינו באמונת מציאות השי"ת והוא עקר הראשון מעקרי התורה, וכענין שכתוב (שמות כ׳:ב׳) אנכי ה' אלקיך כן נצטוינו שנאמין מציאות המלאכים והוא העקר השני לפי שהמלאכים הם המשפיעים כח השכל ומשימים הדבור בפי הנביאים במצות השי"ת שאלמלא כן אין נבואה ואם אין נבואה אין תורה, ומפני זה צוה הכתוב מעשה הכרובים להורות על מציאות המלאכים, ומה שהיו שנים ולא אחד כדי שלא תחשוב שהוא צורת האל הנעבד. ואם תאמר יש לך להסתפק בשתי רשויות אין זאת שהרי היו פורשים כנפים למעלה מקבלים שפע כח הבא להם מלמעלה, זהו דעת הרמב"ם ז"ל בענין הכרובים עם קצת לשונו. ומפני שהכרובים לדעתי הם רמז למציאות המלאכים והמלאכים רבים על כן נוכל לומר לפי זה כי באה מלת כרובים לרמוז על לשון רבים וה' אלקי ישראל עליהם ...

ועשית שנים כרובים, “you are to construct two cherubs, etc.” According to the plain meaning of the text the reason that such figures of angels were placed both in the Tabernacle and in the permanent Temple is to keep alive the idea that there are such beings whom G’d designated from time to time to perform miracles on earth. Just as we have been commanded to have a firm belief in the existence of G’d Himself and the fact that He is the original Existence, and this is one of the fundamental concepts of the Torah as proven by the first words of the Decalogue: “I am the Lord your G’d, etc.,” so we are required to believe in the existence of angels as the second fundamental concept in the list of our religious beliefs. Had there not been such angels, i.e. instruments by means of whom G’d makes His will known from time to time to His prophets, there would be no prophecy, no Torah, in short no “hot line” to the Creator. This is why G’d commanded that these figures be made and installed inside the Tabernacle (where nobody could see them). The reason that two such angel-like figures had to be made was to ensure that none of us would think that the solitary angel-like figure represented the Creator Himself, the One whom we worship and serve. If you were to reply that by making two such figures people might conclude that there are in fact two domains, i.e. that G’d shares power with another, this is not a valid objection seeing both of these cherubs’ wings were pointed upwards towards heaven indicating that they themselves were recipients of Divine input rather than original dispensers of Divine bounty. This is Maimonides’ view concerning the cherubs though I changed his wording a little (compare Moreh Nevuchim section 3 chapter 45). Seeing that I believe that the cherubs represented the existence of the angels and there are many angels, we can surely say that the word כרובים was chosen to convey the idea that there are many such beings...

וַיְגָ֖רֶשׁ אֶת־הָֽאָדָ֑ם וַיַּשְׁכֵּן֩ מִקֶּ֨דֶם לְגַן־עֵ֜דֶן אֶת־הַכְּרֻבִ֗ים וְאֵ֨ת לַ֤הַט הַחֶ֙רֶב֙ הַמִּתְהַפֶּ֔כֶת לִשְׁמֹ֕ר אֶת־דֶּ֖רֶךְ עֵ֥ץ הַֽחַיִּֽים׃ {ס}
it was driven out; and east of the garden of Eden were stationed the cherubim and the fiery ever-turning sword, to guard the way to the tree of life.
הכרבים צורות מפחידות את רואיהן, ובידם להט החרב המתהפכת שיש לה להט משני צדדיה.
הכרובים “the cherubs;” who were these cherubs? They were creatures whose very appearance frightened all those who merely looked at them. They carried gleaming swords in their hands. המתהפכת, “these swords exuded flashes of lightning from either side of the blade.”
Rabbi Sacks z"l - Faith Lectures: The Messianic Idea Today (February 6, 2001)
Do you remember what stopped Adam and Eve getting back into paradise? [Inaudible responses from audience.] An angel? Sorry, can we have that more precisely? Two cherubim who guarded the way to aytz hachayim, the tree of life. Right? Now, do cherubim come back somewhere in the rest of Chumash? The answer is: Yes. Because they cover the kapores which is above the aron, the Ark, which contains the Torah which is aytz chayim he, lemachazikim ba. It is the tree of life.
In other words, although Adam and Eve have been exiled from the Garden and there are the cherubim keeping them out, the building of the Tabernacle and the Ark with the Covenant is a way of getting us back to the Tree of Life and it is the cherubim now who are guarding the Tree of Life so that we can get back to it. There are always exiles and returns. They are not exactly parallel but they are variations on a theme and that is the thing that I didn’t give you – but you are absolutely right. If Adam and Eve hadn’t sinned, it would never have happened.
Rabbi David Fohrman - The Keruvim In The Garden (transcript from video)
God made three separations to set up our world.We make three separations to set up the little world that we are making for him. And isn't it interesting that on each of these partitions, that we create, we meet Keruvim. The angelic beings that were part of a fourth separation in creation, a separation that shouldn't have been there, a separation that locks us out of God's world forever, locks us out of the garden. The instruments of that very separation, the Keruvim with their flaming sword, they show up one more time but without the sword. Ushering us back into this garden that we create for God.
The Keruvim bring us through the partitions. From one separation, the curtains to the other, the parochet, to the kaporet, where we finally encounter the voice of God itself. It's the voice we human beings have a faint memory of. Going all the way back to the original garden. When Adam and Eve encountered God in the garden, how did they encounter him? Vayishmu et kol Elokim mithalech bagan leruach hayom, they heard the voice of God, walking through the garden in the afternoon. The Keruvim bring us back there, they bring us home.
**The Cherubim: Their Role on the Ark in the Holy of Holies (February 6, 2014)
Fascinating article by Rabbi Zev Farber showing sources and artifacts from different time periods that draw on the above imagery of the Cherubim.