(14) Wildcats shall meet hyenas, Goat-demons shall greet each other; There too Lilith shall repose And find herself a resting place.
(15) So Jeshurun grew fat and kicked— You grew fat and gross and coarse— He forsook the God who made him And spurned the Rock of his support. (16) They incensed Him with alien things, Vexed Him with abominations. (17) They sacrificed to demons, no-gods, Gods they had never known, New ones, who came but lately, Who stirred not your fathers’ fears. (18) You neglected the Rock that begot you, Forgot the God who brought you forth. (19) The LORD saw and was vexed And spurned His sons and His daughters. (20) He said: I will hide My countenance from them, And see how they fare in the end. For they are a treacherous breed, Children with no loyalty in them.
(20) For Death has climbed through our windows, Has entered our fortresses, To cut off babes from the streets, Young men from the squares.
Here we see what could be the possible appropriation of the Canaanite god "Mot," who was the enemy of Ba'al in the Ugaritic creation myth. There are also other examples of Ancient Near Eastern gods making their way into Israelite literature, including Reshef, Lillith, Azalzel, Dever, and possibly even an ancient version of the vampire, the Alukah (Proverbs 30:15).
1. How does the inclusion of these entities complicate Jewish theology?
2. Why do you think they made it into the text?
3. How else can we interpret these malevolent influences?
1. How do these sources change the way we can understand demons and other spiritual forces?
2. Are you comfortable with that alternative? Why or why not?
3. Is there a different way we can approach evil or negative forces in our lives?
The crowding at the kalla, the gatherings for Torah study during Elul and Adar, is from the demons;
those knees that are fatigued even though one did not exert himself is from the demons;
those clothes of the Sages that wear out, despite the fact that they do not engage in physical labor, is from friction with the demons;
those feet that are in pain is from the demons. One who seeks to know that the demons exist should place fine ashes around his bed, and in the morning the demons’ footprints appear like chickens’ footprints, in the ash. One who seeks to see them should take the afterbirth of a firstborn female black cat, born to a firstborn female black cat, burn it in the fire, grind it and place it in his eyes, and he will see them. He must then place the ashes in an iron tube sealed with an iron seal [gushpanka] lest the demons steal it from him, and then seal the opening so he will not be harmed. Rav Beivai bar Abaye performed this procedure, saw the demons, and was harmed. The Sages prayed for mercy on his behalf and he was healed.
1. What insights do we gather from the Rabbis in these passages?
2. Do you think they originated these concepts of Jewish ritual as protective? Where else can we find evidence of this?
3. In what ways can rite and ritual be used in our own day and age that we can find comforting, maybe even protective?
4. Does belief in Jewish magic harm Judaism? Why or why not?
T. Schrire, Hebrew Amulets, Their Decipherment and Interpretation (1966), includes bibliography; J. Trachtenberg, Jewish Magic and Superstition (1939), index. N. Behrouzi (ed.), The Hand of Fortune: Khamsas from the Gross Family Collection and the Eretz Israel Museum Collection (2002); E. Deitsch (ed.), Kabbalah: Mysticism in Jewish Life, Exhibition catalog, Museum of Judaica, Congregation Emanu-El, New York (2003); Living Khamsa: Die Hand zum Gluek / The Hand of Fortune, Exhibition catalog, Museum im Prediger Schwäbisch Gmünd (2004); H. Matras, "Jewish Folk Medicine in the 19th and 20th Centuries," in: N. Berger (ed.), Jews and Medicine: Religion, Culture, Science (1995), 1133–5; S. Sabar, "Childbirth and Magic: Jewish Folklore and Material Culture," in: D. Biale (ed.), Cultures of the Jews: A New History (2002), 6707–22; idem, "The Judaization of the Khamsa: The Motif of the Magic Hand in the Thought and Folklore of the Jews in the Lands of Islam," in: Mahanaim, 14, (2002), 1922–03 (Heb.); Y. Stillman, "The Middle Eastern Amulet as Folk Art," in: I. Ben-Ami and J. Dan (eds.), Studies in Aggadah and Jewish Folklore (1983), 951–0
1. Where do we go from here? How do we give our respect and attention to the roots from which we've come while also applying depth and meaning to our own modern sensibilities?
2. Do you think Judaism requires a kind of cognitive dissonance in order to be truly meaningful?
3. Do you think that the Enlightenment rejected parts of our tradition that still could hold meaning to us today? If so, how do we reclaim those elements?
