בִּמְקוֹם רִנָּה — שָׁם תְּהֵא תְּפִלָּה

...Where there is song, there is prayer

Brachot 6a

[Translations by Joshua Schwartz]

Harp Awakens the King

כִּנּוֹר הָיָה תָּלוּי לְמַעְלָה מִמִּטָּתוֹ שֶׁל דָּוִד, וְכֵיוָן שֶׁהִגִּיעַ חֲצוֹת לַיְלָה, בָּא רוּחַ צְפוֹנִית וְנוֹשֶׁבֶת בּוֹ וּמְנַגֵּן מֵאֵלָיו, מִיָּד הָיָה עוֹמֵד וְעוֹסֵק בַּתּוֹרָה עַד שֶׁעָלָה עַמּוּד הַשַּׁחַר.

כֵּיוָן שֶׁעָלָה עַמּוּד הַשַּׁחַר נִכְנְסוּ חַכְמֵי יִשְׂרָאֵל אֶצְלוֹ. אָמְרוּ לוֹ: אֲדוֹנֵינוּ הַמֶּלֶךְ, עַמְּךָ יִשְׂרָאֵל צְרִיכִין פַּרְנָסָה.

אָמַר לָהֶם: לְכוּ וְהִתְפַּרְנְסוּ זֶה מִזֶּה.

אָמְרוּ לוֹ: אֵין הַקּוֹמֶץ מַשְׂבִּיעַ אֶת הָאֲרִי, וְאֵין הַבּוֹר מִתְמַלֵּא מֵחוּלְיָתוֹ.

אָמַר לָהֶם: לְכוּ וּפִשְׁטוּ יְדֵיכֶם בִּגְדוּד.

A harp was hung above the bed of David, and once midnight arrived, a northern wind would blow on it, making its own melody. David awoke at once and delved into Torah until dawn broke.

After the break of dawn, the wise ones of Israel entered, saying to him, “Our lord, the king, your people Israel need sustenance.”

He said to them, “They should go and sustain each other.”

They said to him, “A handful cannot satisfy a lion, and a pit cannot be filled with clumps of dirt.”

He said to them, “Go out and take plunder.”

  1. In a time before alarm clocks, David was woken every night by the wind playing his harp. What are the things that wake you up?
  2. There's a stark contrast between David's pre-dawn mystical reveries and the harsh realities knocking on his door at daybreak. Did music and study help David deal with his responsibilities? How does music help you come to terms with your struggles?
Touched By a Melody

וְעַתָּ֖ה קְחוּ־לִ֣י מְנַגֵּ֑ן וְהָיָה֙ כְּנַגֵּ֣ן הַֽמְנַגֵּ֔ן וַתְּהִ֥י עָלָ֖יו יַד־ה'׃

But now, get me a musician.” And when the musician played, the hand of the LORD came upon him.

(ה) ...וִיהִי֩ כְבֹאֲךָ֨ שָׁ֜ם הָעִ֗יר וּפָגַעְתָּ֞ חֶ֤בֶל נְבִיאִים֙ יֹרְדִ֣ים מֵֽהַבָּמָ֔ה וְלִפְנֵיהֶ֞ם נֵ֤בֶל וְתֹף֙ וְחָלִ֣יל וְכִנּ֔וֹר וְהֵ֖מָּה מִֽתְנַבְּאִֽים׃

(ו) וְצָלְחָ֤ה עָלֶ֙יךָ֙ ר֣וּחַ ה' וְהִתְנַבִּ֖יתָ עִמָּ֑ם וְנֶהְפַּכְתָּ֖ לְאִ֥ישׁ אַחֵֽר׃

(5) …When you reach the city, you will encounter a band of prophets descending from the high place, before them a harp, drum, and flute, and they will prophesy.

(6) The spirit of G-d will rush over you, and you will prophesy with them, transforming into a different person.

  1. “The hand/spirit of God” in these texts is a way of referring to prophetic inspiration. Music is always in part a performance, even if it comes along with something greater, like bringing a community together in song. Perhaps the same could be said about prophecy, of transmitting God’s will. Why else might you think it is specifically music that triggers prophecy?
All Prophets Needed Music, Except Moses

לא הוצרך כל ימיו עליו השלום לשום התעוררות ממיני הניגונים להשרות עליו רוח נבואה כי לא נסתלק מעליו כלל ותמיד היה מוכן ועומד אין לו מונע מצד עצמו כלל, לפי שאין בכחו למעלה שום הסתלקות רוח ושפע אורה ולזה היה בדוגמא ההיא, מה שאין כן בשאר הנביאים ע"ה שיצטרכו למיני הניגון לעורר עליהם הרוח ולהשרות עליהם הנבואה וכמו שכתוב ופגעת חבל נביאים ירדים מהבמה ולפניהם נבל ותף וחליל וכנור והמה מתנבאים, וכתיב ועתה קחו לי מנגן והיה כנגן המנגן ותהי עליו יד ה':

All his days, [Moses] never required any stimulation from any kind of nigun (melody) to invoke the spirit of prophecy, for it never withdrew from him at all, always at the ready, from his side, never refraining at all, as, in his supernal power, there is no withdrawal of spirit or the flow of [Divine] light, and this was his paradigm. This was not the case with the rest of the prophets, upon them peace, who needed nigunim (melodies) to awaken the spirit and invoke prophecy upon them, as it is written, “you will encounter a band of prophets descending from the high place, before them a harp, drum, and flute, and they will prophesy,” (1 Sam. 10:5) and, “Now, get me a musician, and as he plays his melody, the hand of G-d will be on him.” (2 Kings 3:15)

  1. Taking music as a metaphor for prophecy, God is to the prophet as the musician is to the instrument— the prophet allows themselves to be “played” by God and be the “instrument” of God’s will, to “awaken the spirit.” How might you extend this idea to us non-prophets today?

Sign up for a guided course on the Torah of Music with Hadar's Project Zug (it includes the above teachings and many, many more) and see a sample source sheet: https://www.projectzug.org/course/2669/torah-music

Subscribe to Joey Weisenberg's in-depth video series on Lessons in the Musical Dreamscape of the Jewish Sages and explore other courses related to nusach and nigun: http://bit.ly/2TpOGA3

Listen and learn more at RisingSong.org...